Lindsey Eckenroth
musicology, film studies, flute
Lindsey is a PhD candidate in musicology writing a dissertation on rockumentaries. Her research interests include representations of popular music in documentary films, music and/as affective labor, rock stardom and celebrity, and psychogeography. She teaches at Brooklyn College, works at RILM and HISAM, and plays flute in The Curiosity Cabinet.
Social
Publications
Studio Soundtrack Playlists: “Evicting Time,” “Gritty,” “Home,” and “Gender Roll.” Don’t Take Pictures, 2020–2021.
“Cars and Guitars, or Detroit and the MC5: On Representations of Music and Place in MC5: A True Testimonial.” In Mapping the Rockumentary: Images of Sound and Fury, edited by Gunnar Iversen and Scott MacKenzie. Edinburgh: Edinburgh University Press, 2021 (forthcoming).
“Accidental Ideas: An Interview with Sara Landeau.” American Music Review 49: 2 (2020): 1–8.
“Representing Joy Division: Assembling Audiovisual Argument and Psychogeography in Rockumentary.” Rock Music Studies 1: 3 (2014): 211–230.
“Once Again, on the Music of Laurie Anderson’s O superman (for Massenet).” American Music Review 43: 2 (2014): 21–24.
Review of Towards a Twenty-First-Century Feminist Politics of Music by Sally Macarthur. Women & Music 17 (2013): 92–101.
Education
PhD candidate in musicology, CUNY Graduate Center
MA in musicology, Brooklyn College of CUNY
